The show’s creators were celebrities, and their lives were well documented in the Black press. Flournoy Miller (from the top), Noble Sissle, Eubie Blake and Aubrey Lyles in a publicity photo from the 1921 production of “Shuffle Along,” the groundbreaking hit musical that brought Black entertainers to Broadway. Caseen Gaines didn’t know anything about the forgotten 1921 production of “Shuffle Along,” the groundbreaking hit musical that brought Black entertainers to Broadway, until he saw George C. Wolfe’s 2016 reimagining of the show. Two Broadway revivals were staged, unsuccessfully, in 1933 and 1952, with the latter including additional music by Joseph Meyer.

In March 1931 the Waltons moved to 70 Seabrook Road in Hythe to cut down on living expenses. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. IBDB provides records of productions from the beginnings of New York theatre until today. IBDB provides a comprehensive database of shows produced on Broadway, including all “title page” information about each production.

Special Effects

In 1906 George Davison decided to build a house at Harlech where his school friend Harry More, Crown Agent for the Forestry Commission in Wales, lived. At this time Harlech had several English families whose social life revolved around Lord https://accounting-services.net/author/garryw/ Winchelsea, whose brother established the St David’s golf course in 1894. While developing his idea for a house he also proposed a hotel for golfers using the new golf course, on the recommendation of his English acquaintances in Harlech.

• After opening at the Broadway Theatre on May 8, 1952, Shuffle Along closed after four performances.
• Walton was admitted as Licentiate of the Royal Institute of British Architects on 20 July 1911, his proposer being his long-standing friend Charles Edward Mallows.
• “It was a perfect storm, and at the center of it were two comedians who were incredibly smart, witty and clever and two equally smart musicians,” Gaines says.

Promoters and theatre managers were skeptical at first as to whether white audiences would accept a colored musical because no black show had been successful on Broadway in over 12 years. The musical mélange became an instant hit because of the energetic, vivacious, torso-twisting dancers that gave birth to the speed shows that were to characterize black productions thereafter. It also won the distinction of becoming an actor’s show during its more than its 200 performances. It proved that white audiences would pay to see black musical comedies on Broadway. Among the cast were Eubie Blake, Noble Sissle, Paul Floyd, Lottie Gee, Gertrude Saunders, Roger Matthews, Mattie Wilkes, Lawrence Deas, and Adelaide Hall.

HARRY THOMAS WALTON JR

He says the story he unearthed is one of “racial representation, a story about living in ones authentic self as a means of gaining representation. “Sometimes, when you look at the footnotes of history, you find a more interesting story to tell about America,” Gaines says. “It was a perfect storm, and at the center of it were two comedians who were incredibly smart, witty and clever and two equally smart musicians,” Gaines says. After opening at the Broadway Theatre on May 8, 1952, Shuffle Along closed after four performances. Starring Sissle, Blake, Avon Long, and Thelma Carpenter, and choreographed by Henry LeTang, this incarnation was recorded in an abridged form by RCA Victor, combined with selections from Blackbirds of 1928.

Harry Walton(I)

By 1907 Walton completed his first designs for the hotel and the ‘Harlech Hotel and Land Development Syndicate Ltd’ was established. Shuffle Along, a musical comedy by composer Eubie Blake and lyricist Noble Sissle which featured an all-black cast, was the most significant achievement in black theatre of its time. Shuffle Along opened at the Howard Theatre in Washington, D.C., in late March, 1921 for two weeks. It was later performed at the Sixty-third Street Theatre in New York City, New York in May, 1921. As for his music, he claimed to have been the longest-serving jazz musician born and bred in Leicester. He was involved with the Leicester Jazz Society for many years and as a result met many of his musical heroes.

Musical

Born in Leicester, he was the second child and youngest son of Thomas and Winnie Walton. He attended Moat Road intermediate school before leaving aged 13 to become a clerk. Later he worked for Kendall’s, the umbrella and rainwear company, becoming an area sales manager before spending the last 14 years of his working life as the registrar at Lutterworth grammar school.

From 1905 he had worked from an even grander home at 26 Emperor’s Gate in Kensington, but following the outbreak of World War I, commissions were scarce. His wife Kate died and the generous financial support from the Gall family ceased. In 1916 Walton moved to Carlisle and between 1916 and 1921, working under Harry Redfern, he produced designs for pubs and canteens for the Central Control Board, established to manage the drinks trade and public houses in many munitions production areas.

Further work in Glasgow and Yorkshire

My father, Harry Walton, who has died aged 85, was a well-known artist and jazz musician. The Broadway League is the national trade association for the Broadway industry. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. Each year, League members bring Broadway to more than 30 million people in New York and more than 200 cities across the U.S. and Canada. Gaines’ research led to libraries including the New York Public Library’s Schomburg Center for Research in Black Culture, the Maryland Center for History and Culture and the Emory University archives.